Tuesday, November 24, 2009
Last class
Friday, November 13, 2009
REMINDER - STUDENTS SHOW
Friday, November 6, 2009
Warhol and Duchamp 1 Moderunism
Gwendolyn Moore
Arts 2316 Painting 1
RoomFac 205
Instructor Hagit Barkai
Thursday, November 5, 2009
assignment #2
Around 1870, French artists began to change from their traditional to more modern. Modernism applied to almost all progressive or avant-garde art from the period of time of the Impressionists is to Postmodernism. Modernism is combined with nonrepresentational, officially organized the models of modern art. It meant that they focused more on leisure and middle or upper class’ activities. The more modern style was called Impressionism. “Characteristics of Impressionist paintings include visible brush strokes, open composition, emphasis on light in its changing qualities… the inclusion of movement as a crucial element of human perception and experience, and unusual visual angles” (Wikipedia). Early twentieth century, with innovation and invention in many areas in society, art is not an exception. We called this period early modern art. People were more freedom and knowledge, so were the artists. It grew with many innovations such as expressionist or abstract style in Europe.
Postmodernism seems to start in the 1970s style that dominated the art-Minimalism and Conceptualism-not equipped with a world struggling with the increasing social problems such as drugs, crime divorce and commercial greed. As a result, a majority of the style developed as a response to the situation worse. Other Postmodernists, however, expressed stronger desire to work with art that seems to have no meaningful content, and start back with three-dimensional art, and the establishment of meaning. The feelings that society seems to have become exhausted and bled of new ideas, and society appears unable to solve the problem also affected its art.
Duchamp is French artist create the most shocking Dada works. He believed that art should appeal to the intellect rather than the senses. Duchamp’s cerebral approach is exemplified in his ready-mades, produced normal objects transformed into works of art simply by the decision of the artist. “Fountain is a masterpiece of philosophical investigation, a conundrum n a tabletop that quietly explodes some of our most cherished notions” (Stokstad). L.H.O.O.Q. transforms the Mona Lisa. He added a mustache and bread on the face, make change from the female to male. The purpose is not for the beautiful art.
A leader in pop art, Warhol is preoccupied with that aspect of pop that finds its material in the most familiar clichés of the contemporary scene, including advertising art. He create memorably in many media. Marilyn Monroe, Campbell Soup cans are at once anti-art in the conventional sense. “Marilyn Monroe is one of the first in which Warhol turned from conventional painting to the assembly-line technique of silk-screening photographic images onto canvas “(Stokstad).
Art history is an evolved current through time and mark by period such as Byzantine, Baroque, Rococo or Modern period. The art world is affected by the society pretty much. The styles and objectives have been changed from restricted to free. The new style has learned from previous styles to create a better style. The art begin from imaging to real and then come back to imaging. It begins from simple to complex and then simple by using line, color, and shape.
Duchamp & Warhol
Modernism – the art direction of the 20th century, characterized by: a break with the historical experience of artistic creativity, the desire to adopt the new beginning of art, a conventional style, continuous updating of artistic forms. Modernism incorporates a variety of relatively independent of ideological and artistic currents: expressionism, cubism, constructivism, Imagism, Surrealism, abstract art, pop art. The majority of artists of the 20 century have moved away from the image of the world such as we see it. The world seemed distorted, sometimes beyond recognition, because the artists were guided more by their imagination. The artists wanted to say: the world is not such as we see it: it is inherently meaningless and absurd; it is as we show on paintings.
Postmodernism - a set of structurally similar phenomena in the social life and culture of the industrialized countries, ages 20-21. In architecture and the visual arts for the 1970-1980 period of post-modernism is characterized by the union under a single work styles, figurative motifs and artistic techniques borrowed from the arsenals of different ages, regions and subcultures. Postmodernism refers to an artistic approach which surfaced in the late twentieth century to counter the ideologies and persuasion of its predecessor 'modernism '. Postmodern art departs from the conventions of structure and organization central to modernism , and instead welcomes and incorporates chaos , clutter , and disorder as key elements of its formation. Although the term is also widely used in areas such as culture and philosophy, postmodernism in the arts runs evident in the works of artists along the lines of Marcel Duchamp, Andy Warhol.
Marcel Duchamp - French painter and art theorist. Thanks to the originality of his ideas, Duchamp is considered one of the most influential figures in the art of 20 century. Experimenting with shapes and colors, the artist created one of the most controversial of his works, “Nude, running down the stairs”, where the motion passed with the following one after another, intersecting planes. The author explained the concept of painting as "the organization of kinetic elements, the transfer time and space through the abstract image of the movement." No later, he coined the term "Ready-Made" ("finished product"), which consisted in the fact that any ordinary object, selected from among their number or group of items, signed and exhibited by the artist can be called a work of art. Duchamp believed that the only factor that determines a particular object as a work of art, the act of perception. That proves us his presented a urinal entitled "Fountain". Ironic name of this object gave it the status of "art". "Ready-Made" Duchamp is often questioned the existence of the concept of "taste." Nevertheless, the work of Duchamp had a tremendous impact on such trends in art, like surrealism and, later, conceptualism.
Moreover, Duchamp's artistic theories have been very influential on other artists and are sometimes seen as anticipating postmodernism. Pop artists, such as Andy Warhol, have been particularly influenced by Duchamp's provocative questioning of the nature of art, particularly the relationships between an original and a copy and between utilitarian objects and works labeled art. Andy Warhol is best remembered as the avatar of Pop Art. Pop art instantly gaining a reputation of its availability. Using real objects, pictures, advertisements, packaging products, etc., taken out of the natural existence of pop art created reinterpreted, ironic images. His famous works are – “Merilyn” and “200 cans of soup”. Andy's work is inseparable from such a thing as "mass culture". He did much to ensure that art has become the most popular masses, which people have learned to see the beauty of everyday things, realizing that everything that surrounds man, well in its essence. For Warhol's art was a way to love the superficial nature of things. It is this insight helped him to understand that this is what makes art unlimited.
Duchamp and Warhol’s artworks share the characteristics of a collage effect, mixed media type of art in what appears to be a number of appropriated materials meshed together to form a medley of colors, chaos, deviance and irony beautifully combined .Postmodernism covers a great extent of other art movements which rose under its influence among them , Dadaism , abstract expressionism , pop art , and so on .
Tuesday, November 3, 2009
Written Assignment #2-Duchamp & Warhol
Marcel Duchamp started the readymade movement of modernism. He took every day objects, changed them slightly and put them on display as works of art. For example, he took a urinal, put a title on it and called it a fountain. That alone really opened my eyes of what art can be. The fact that I could be inspired to take a toilet seat cover, put my name on it and call it a hat is pretty awesome. His art was more controversial where it questioned the nature of art itself. He has said “Art may be good or bad, or indifferent, but whatever the adjective, we must call it art and bad art is still art in the same way that a bad emotion is still an emotion”. I’m sure there were a lot of questions like “Why a urinal?” or “Is that your urinal?”. I admire his way of being playful and funny because art isn’t suppose to be so serious, well unless it’s expressing victims of war or crime.
Andy Warhol took readymade a step further. He used silkscreens and photographs of pop culture icons like Marilyn Monroe, Jackie Kennedy Onassis, and Campbell Soup cans added colors and put them on display. Where Duchamp used somewhat “boring” items, Warhol added fun to his items to make them more visually appealing. His reasoning for this was basically because he liked Marilyn and Jackie and he had soup for lunch everyday and his art was a demonstration of how these things in his life somewhat dominated him. His approach was to make people see a reflection of his personality. I think his audience was people who were rich and eccentric like he was.
In conclusion, every art movement is like a generation. There are artists in it that were influenced to a point by the artists of the previous generation and set out to make their art different from the next generation. Like Raphael of the Old Masters era to set the stage of traditional art for Cezanne, who used those images and created a new way of seeing them (i.e. cubism), and now we have Marcel Duchamp and Andy Warhol using items that are popular at the time to in fact remember the time.
Monday, November 2, 2009
Post Modernists like Modernists are all about subjectivity. They believe that there is no truth “out there” to be discovered. Post Modernists take this further and believe that there is no truth “in there” either. Truth is only your interpretation because of your cultural upbringing. Nietzsche, the first true Post Modernist philosopher, said that there are no facts, only interpretations. Post Modernists claim that truth, beauty, and morality are all subjective.
I really like the following statement by Keith Martin-Smith. “Truth and beauty and morality are something merely constructed, bounded by culture, hemmed in by psychology, framed by gender, driven by the powerful, warped by language, distorted by the powerful, tied to the patriarchy and the domination of nature, and totally relative always”.
Postmodernism exposed institutional racism, sexism, ageism, and many more isms. These new thinkers showed how truth is subjective. A good example is how White Europeans and American Indians view the westward expansion of the White man.
Marcel Duchamp: I can not say this important idea any better than Keith Martin-Smith. “ Post Modern art’s real power comes from forcing the receiver of the art to question their assumptions about what art is, about who and what and how art is created, and how it is received. Beauty and truth are left to antiquity, to the naïve who still believe in cross cultural truths. In that sense Fountain can be said to have achieved success-it forced viewers to question, and often angrily dismiss, the work because it challenged their assumptions, destroyed their sacred cows, and so doing influenced the next generations of artists profoundly. And in this Duchamp’s brilliance is simply without question. The question remains, though, is it art, or is it something else? Duchamp was an artist of ideas, he did not think of art as purely visual. He played with our assumptions with his readymade and readymade aided art. He also used movement and the creation of space in his art to challenge us.
Andy Warhol: Warhol was an illustrator who turned his illustrators’ bent to create artwork which we now label as “POP”. Warhol said “The reason I’m painting this way is that I want to be a machine, and I feel that whatever I do and do machine-like is what I want to do”. To Warhol, style was not important in fact he saw style as a trap. He believed that POP art was basically a U-turn back to representational visual communication. He thought that his art was death to smuggery and the preconceived notion of what art is. I love this quote from Warhol; His art was walking young for the moment without 4 thousand years of art history on its shoulders. He also said that his detractors were the grey brains in high places well arrayed and hot for the kill.
Marcel limited the output of his art and Warhol didn’t. Marcel was not popular until late in life and after his death. Warhol was a mega star for most of his life and he thought he and his art would not last (it being a fad).
Warhol, Duchamp, Einstein, Nietzsche, Max Freud, Heisenberg, and others pushed the meaning of objectivity to its limits and made arguments for its removal as a basis of thinking and acting.
I really enjoyed this exercise because I got an insight into these artist thought processes. I also learned about some history and how not just artists but other disciplines were all exploring new territories. Winn Becton